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Located in Arlington Heights, Illinois, The Cellar teen dance club provided live musical entertainment in the 1960s. Founded in 1964 by Paul Sampson (a local record store owner who later became a music promoter and manager), this music venue primarily featured Rock and Roll music acts, although some Blues acts performed as well. Original location is uncertain. "The original cellar was located in the old St. Peters Church basement." (Bob Lehnert ), original vocalist for The Amboy Dukes contributes that its original location was actually a cellar located just a few blocks from the center of Downtown Arlington Heights. It may have been under a church or community center as it had a stage cut out of the north wall. It was in the basement of the Bell Telephone (AT&T) building, then moved to the Tire Warehouse across the tracks from the former Captain Rapp's Restaurant (602 W. Northwest Hwy) The unused warehouse was located on Davis Street, along the Chicago and Northwestern railroad tracks (). It closed in 1970.〔Lind, Jeff. "History of Chicago Rock." Illinois Entertainer (July 1978) http://www.jimyrogers.com.futuresite.register.com/_wsn/page1.html〕 The Cellar became a notable venue for several reasons, providing teenagers from the region with a place to congregate and to dance. It was also notable because of its talented regional house / repeat bands, such as: the Shadows of Knight, The Mauds, H.P. Lovecraft,〔"The White Ship: The Psychedelic Voyage of H.P. Lovecraft." Nick Warburton's Sixties Rock Archive (February 10, 2008) http://www.nickwarburton.com/wordpress/?cat=6〕 Saturday's Children, Ted Nugent〔Mart, Teresa. "Crossing Centuries -- Our Suburbs: Celebrities Have Roots in Local Communities." Daily Herald (Heights, Illinois ) (December 28, 1999)〕 with The Amboy Dukes, The Huns, The Raevns, The Other Half,〔"Beyond the Beat Generation: The Other Half Interview." http://home.uni-one.nl/kesteloo/otherhalf.html〕 and Little Boy Blues.〔"Little Boy Blues: History http://www.modernist.com/lbb/history.html〕 Despite the fact it was a modest warehouse venue in a northwestern suburb of Chicago, The Cellar attracted national and international Rock acts, such as: The Who,〔McMichael, Joe. Lyons, Jack. The Who Concert File. Omnibus Press, 2004〕〔"Beyond the Beat Generation: The Other Half Interview http://home.uni-one.nl/kesteloo/otherhalf.html〕 The Cream,〔''Past Tours, 1966-1968'', http://www.jackbruce.com/tours0.htm〕 The Byrds,〔''The Byrds Performances''http://www.webcitation.org/query?url=http://www.geocities.com/byrdsflyght/concerts69.htm&date=2009-10-25+16:47:06〕 Buffalo Springfield,〔''Buffalo Springfield,'' http://www.chromeoxide.com/buffalo.htm〕 and The Spencer Davis Group,〔''Cellar Article'', http://www.jimyrogers.com/_wsn/page2.html〕 Three dog Night and The Steve Miller Band 〔Chicago Tribune 12-31-1995 (Hill, Laura E.)http://articles.chicagotribune.com/1995-12-31/features/9512310188_1_lighting-clubs-alice-cooper〕 There are a number of notable considerations to keep in mind about The Cellar: * For Garage rock bands/newly forming groups, The Cellar took them out of their garages and/or rehearsal spaces and provided them with on a stage and a teenage audience eager to hear their music. Once on the stage, these Cellar groups gained regional and, in some cases (such as the Shadows), national followings. Further, it provided these local groups with the extraordinary opportunity to open for the major acts who also played there, such as H.P. Lovecraft opening for The Who on June 15, 1967.〔McMichael and Lyons, p. 62.〕 * The Cellar actualized one of the true tenets of Rock and Roll music: it provided a place where people could dance. Indeed, one could view the ultimate demise of true Rock and Roll music with the transition from dancing to seated venues. Once seated, fans only listened and the experience became more cerebral—which is not exactly a word one primarily associates with the vibrant physicality of Rock and Roll. Defined in its most traditional sense, Rock and Roll is sustained by movement and action. The Cellar served as an environment that allowed the essence of Rock and Roll to flourish. == Recordings == At least one album has been documented as a live Cellar sound recording. The Shadows of Knight recorded the songs on this (not quite correctly titled) album at The Cellar in December 1966: ''Raw and Alive at the Cellar, Chicago, 1966!'' 〔Callahan, Mike; David Edwards; and Patrice Eyries. "Dunwich Album Discography" (updated October 27, 2005) http://www.bsnpubs.com/chicago/dunwich.html (accessed: May 19, 2008)〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Cellar (teen dance club)」の詳細全文を読む スポンサード リンク
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